Santana Lopez (
burgercraving) wrote2011-07-05 01:02 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
IC; musical discussion and double date with Kurt, Blaine, and Emily
[there are drinks lined up over the bar, but they're all virgin, for the sake of remaining sober during this discussion. Santana is rested up on the end furthest away from Emily with her eyes on Kurt, as she's looking at him with an indication of "get on with it." even though they've only been set up for two minutes, she's already growing impatient. like most times of the day, it's not difficult to find themselves alone in the bar, either. so it goes]
no subject
Though we might want to make sure it's separate from the bloody showers. Too much imagery related to that time of the month, and it'll just make your audience cranky.
no subject
The goal isn't to titillate the audience, but to put on a show with recognizable camp elements. We're not doing "Camp: the SEXY version", but "Camp: the theatrical version".
Of course, there will be romance and yes, passion. It's only to be expected when love blossoms in extreme situations. However, it should go without saying that no one's going to turn into an animal onstage. That's just tasteless.
no subject
I have to agree with Kurt on this one. Just because we could do something really sexual doesn't mean we need to. I mean come on, we can keep people's attention without such an obvious gimmick, right?
no subject
no subject
And when would that be? Because I'm starting to think everyone here is missing my point?
[and softer, closer to the other girl]
Especially you.
no subject
Okay, we will put this to rest much quicker if you say what you have in mind and I tell you whether that's suitable or too much.
no subject
no subject
...yes. Maybe stating things clearly would help.
no subject
[curls into Emily and brushes her hair off her shoulder to dip down against her neck]
And you can play with it in little ways ...
[inhales against her neck and kisses the skin lightly down toward her collarbone, with her hand resting against her abdomen beneath her breasts and then sliding down a little]
Without giving them too much of a show. Right, Emily?
[pulls back fully with the question and looks directly at the boys]
no subject
[takes a couple of steps away from the couch and looks between Kurt and Blaine and definitely not at Santana] Where's the bathroom?
no subject
[stands]
no subject
It's downstairs to the right.
Santana...
[looking from Santana to Kurt, sensing the tension level]
no subject
Stay here, Santana.
no subject
no subject
Are you going to tell me what you just tried to do here? And don't say kissing down her neck because I could see that.
no subject
no subject
What I do recall is advising you to let her call the shots for once. So, what was that just now all about? Is that how badly you don't want to be here?
no subject
no subject
no subject
no subject
You don't really think you get to humiliate Emily in front of Blaine and me, and still be part of the musical like nothing happened, do you.
no subject
no subject
You know my number; text me when you get some sense.
no subject
Stop. Both of you. That is enough.
Kurt, you're not kicking Santana out of here or the musical over something stupid like this. She wants to be in it, and you want her in it too. If you have some other problem, you can work it out between yourselves, but let's get something straight. Me? Not humiliated. I needed a little air, but I'm a big girl, and I can take care of myself. So if she goes now, I go too, okay?
Santana, you and I can talk later. So for now, how about we all go back to our seats and finish the movie. It will be fun.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)